Shadowland Issue 2 of 5

Shadowland Issue 2 of 5

Shadowland #1 did a very good job of setting up this miniseries. Daredevil killed Bullseye, the Hand are slowly taking over New York and Matt Murdock’s friends and allies are trying to bring things to a peaceful conclusion. After his fight with Bullseye last issue, Daredevil shows surprisingly little emotion. If he’s not upset at actually killing someone, then at least he should be happy to have finallly defeated his greatest enemy. His growing detachment shows just how much of a hold the Hand has on him, though their ultimate goal is still a mystery. Luke Cage and Iron Fist once again try to talk to him, but they’re bringing reinforcements this time, with their old Heroes for Hire buddies and Spider-Man tagging along. Additionally, we see Moon Knight infiltrate Shadowland and Kingpin summon the freaking GHOST RIDER. I was a little unsure what to expect going into this miniseries, but this issue had enough of a wow factor to completely grab my interest. The art continues to be impressive, setting the mood perfectly. Drawing Ghost Rider is no easy task, and Billy Tann hits it out of the park here. The big fight at the very end of the issue leads me to believe that the art team is more than up to the task of doing justice to this large cast of characters. With major players like the Punisher and Elektra still to make their promised appearances, Shadowland is shaping up to be a big, epic piece of summer fun. At least at this point, the tie-ins don’t seem to be taking anything away from the core title, which was a major concern of mine going into this event. While I can’t speak for all of the tie-ins, I did rather enjoy the first issue of Shadowland: Moon Knight. I loved the relaunch of Moon Knight a couple years ago, but the art style on Vengeance of the Moon Knight made me stop reading his solo series. The quality of the Shadowland tie-in was very impressive, and does a great job of tying his individual story in with the miniseries. Moon Knight is going to be PISSED when this is all over. Shadowland Issue 2 of 5 Marvel Comics Story: Andy Diggle Art: Billy Tann, Victor Olazaba, Christina Strain...

X-Men Issue 2: “Curse of the Mutants, Part 2”

X-Men Issue 2: “Curse of the Mutants, Part 2”

Victor Gischler, where have you been hiding? There are plenty of great writers in the comic industry lately, and Marvel and DC both seem to be trying to get as much mileage out of them as possible. Some just seem to be perfect for their respective titles, like Geoff Johns on Green Lantern or Matt Fraction on Invincible Iron Man. When it comes to X-Men, Gischler just gets it. With such a large cast of characters available, it’s easy for things to become overcomplicated. Gischler, however, seems to have a solid plan for which characters best fit the story and how to utilize them. Wolverine, Storm, Emma Frost and others all bring different angles to the plot, and it never seems like Gischler is using them just to use them. As part of Marvel’s initiative to bring the X-Men out of isolation and interact more with the rest of the Marvel Universe, Blade makes an appearance here to assist the X-Men with their vampire problem. Of course, Blade is the obvious choice to guest star, but his introduction and interaction is so seamless, you’d almost think he’s a long-lost mutant returning to the team. It’s something that goes wrong in comics all too often. The biggest issue with many comics is pacing. If the plot moves too quickly, it becomes too hard to follow, but if you spend too much time explaining things, it’s just boring. Gischler effortlessly juggles several plot points in this issue; the X-Men trying to figure out a plan, the vampires plot to take over and the corruption of Jubilee. In the end, the story makes about as much sense as possible for a premise this bizarre. The tension increases bit-by-bit over the course of the issue until the final pages. Knowing the extremes the vampires are taking this war to and the plan Cyclops has come up with to counter them, I simply can’t wait to get my hands on the next issue. X-Men Issue 2: “Curse of the Mutants, Part 2” Marvel Comics Story: Victor Gischler Art: Paco Medina, Juan Vlasco, Marte Gracia...

Avengers Assemble

Avengers Assemble

May 19th, 2010 was “Avengers Day.” For the first time in five years an actual issue of Avengers hit the shelves, completely relaunching the Avengers franchise. Adjectiveless, New, Mighty, Young, West Coast, Secret or any of the related teams have been the central comics of the Marvel Universe for decades. So, there was no better way for Marvel to launch their “Heroic Age” initiative than with a whole new lineup of Avengers titles. With Secret Avengers just wrapping up its first story arc and Avengers and New Avengers halfway through their introductory arcs, I figured now is a good time to step back and look at them one-by-one. Avengers Writer: Brian Michael Bendis Pencils: John Romita, Jr. Lineup: Captain America (Bucky Barnes), Iron Man, Thor, Hawkeye, Spider-Man, Spider-Woman, Wolverine, Protector, Maria Hill (Director) This is the primary title in the Avengers lineup. It features many of the characters fans associate with the Avengers: Captain America, Thor, Iron Man, Hawkeye, as well as some new additions to the roster. Overall, it’s an interesting team, but Bendis seems to miss on some character traits. Throughout his career, Bendis has been more of a character writer than a story writer; it’s what I’ve liked about much of his work. Unfortunately, the overall narrative in some of his comics has gotten lost behind all the dialog. So, in Avengers, it’s almost as if he’s trying too hard to tell the bigger story and losing some of the smaller details that made him famous to begin with. His Spider-Man seems too inexperienced and his Thor and Iron Man are just bland. When the story slows down though, the true Bendis style comes through. The story itself took a little while for me to get on board with. Time-traveler Kang the Conqueror, one of the Avengers oldest villains appears to tell the Avengers that their kids are wrecking the future, if they’re not stopped the entire timestream could collapse. It’s pretty cool to see the characters from the Next Avengers animated movie being brought into continuity, and some later reveals, such as the Maestro really caught my interest. Sadly, once time travel was introduced to the plot, the next couple issues got a bit complicated. First of all, you have a bunch of exposition explaining everything, then it all gets weird. With the time stream weakening, all kinds of insanity crosses over to the present-day Marvel U. The Avengers fight everyone from Apocolypse and his Four Horsemen to Galactus. It all seemed to be spiraling out of control until the recent Issue 4. Near the end of the issue, Bendis finally seems to be getting the plot on track, and I’m interested once again. The art has been widely praised, and rightfully so as Romita is one of the greatest artists of all time. I do have some complaints, though. As prolific as he’s been throughout his career, I just don’t feel that Avengers is a good fit for him. When I think of Avengers, I think of bright, vibrant, larger-than-life characters. Romita’s style isn’t BAD, I just don’t think it’s the right one for this title. Additionally, some of his character designs just feel off. Romita draws Spider-Man better than just about anyone else in the world, and his agile characters like Spidey and Hawkeye all look great, but some of the more iconic characters just feel off to me. His Iron Man is way too blocky, and his Cap and Thor just seem stiff. Again, I’m not saying it’s bad, and I love Romita, but the overall presentation just doesn’t work for me. However, I can’t wait to see Romita get ahold of Red Hulk in Issue 7. New Avengers Writer: Brian Michael Bendis Pencils: Stuart Immonen Lineup: LUKE F’IN CAGE, Iron Fist, Jessica Jones, Hawkeye, Mockingbird, Spider-Man, Wolverine, Ms Marvel, The Thing, Victoria Hand (Director) The way I see it, Avengers is the comic Bendis HAS to write. New Avengers, however, it the comic Bendis WANTS to write. Every aspect of New Avengers is just perfect. The team fits together more naturally, opening more options for Bendis to have fun with them, and he certainly does. The banter between Wolverine and Spider-Man in Issue 2 is just priceless, but it’s easy to see that Bendis just enjoys writing this one. The only complaint I have is that there’s just too much overlap between the two teams’ rosters. The story is just big and fun. Dimensional invasions and demonic possession isn’t much simpler than time travel, but it all flows a little better here. Bendis doesn’t waste time trying to explain too much of it; we just accept whatever Doctor Strange tells us, and everything that doesn’t make sense at this point is just a mystery to be solved later. Science and sorcery aren’t that different, thematically, but the difference in how they’re handled sets the tone of the story. A writer feels the need to explain the science, but sorcery is supposed to be mysterious. Also, the pacing is much better in New Avengers. Each issue builds on the one before, leading to an epic resolution. THIS is what an Avengers comic is supposed to look like. Immonen knocks it out of the park here. There really isn’t much to say, because it’s just damn good. My only issue is I feel the double-page spreads are a bit over used, but I have nothing but praise for the quality and style. Secret Avengers Writer: Ed Brubaker Pencils: Mike Deodato Lineup: Steve Rogers, War Machine, Beast, Black Widow, Valkyrie, Nova, Moon Knight, Ant-Man (Eric O’Grady), Sharon Carter (Director) Ed Brubaker has stepped up to the plate with his own team of Avengers, with a completely unique style. While Avengers and New Avengers are big action, Secret Avengers is more subdued, with a slower pace and more depth. There’s a reason this guy has been Writer of the Year three times. The team the former Captain America has assembled is astounding. They’re going up against a wide range of threats, and you have a great combination of strength, stealth and science. Each member compliments the others. You can tell Brubaker is still growing into this one and trying to get a handle on some of the characters. His Moon Knight feels a bit off at times, but I love his Ant-Man. Obviously, after spending several years with the character, Brubaker does a GREAT Steve Rogers. The concept of Secret Avengers is an interesting one. While the other, higher-profile teams are mostly reactive, this one is proactive. They use their intelligence-gathering capabilities to find threats before the threats find them. There’s a lot of fun espionage and black-ops going on here, but when it’s time to throw down, it’s handled well. The first story arc was a bit of a surprise, with this “secret” team getting into a huge battle on Mars, of all places. Hopefully the story will be getting back to what we’re expecting after some recent revelations. Secret Avengers doesn’t fit my archetype for what an Avengers comic should be, but I like that. Secret Avengers is supposed to be something different from the norm for the franchise. It’s written differently and it should look different. There are lots of shadows, but it never feels dark. The big fight at the end of Issue 4 was suitably epic for two forces of that magnitude clashing. I just can’t wait for the team to get back to Earth and out of those stupid space suits. Moon Knight without a cape just looks stupid. Overall Of the three primary titles, I absolutely feel like New Avengers is the best of the bunch; great story, great characters, beautiful art and just tons of fun. It’s definitely the Avengers title to buy. Avengers isn’t bad, but I just have too many personal issues with it at this early point to flat-out recommend it. For those that want a nice change of pace, you can’t go wrong with Secret Avengers; though if it’s your only tie to the Avengers franchise, you may miss out on some of the more important stories. Beyond that, the Avengers family of comics has more to offer. Avengers Academy teams iconic characters like Hank Pym and Quicksilver with young heroes learning to use their powers for good. While the students have been told they’re the best of the best, they were actually chosen because they’re the ones most likely to turn to the dark side. The kids know the truth, but the instructors don’t know that the kids know. Good fun. Avengers: The Children’s Crusade started off great, with the second issue FINALLY being published just after this writing. The former Young Avengers are on a quest to find the Scarlet Witch. Magneto is a central character in this story, and I’m very interested to see where things go, assuming they ever finish the damn thing. I’m not sure if the world needs Avengers Prime. The miniseries is supposed to be telling the story about how Steve Rogers, Tony Stark and Thor all become allies again after some serious issues between the “Big Three.” However, two issues in, I’m just not seeing it. They’ve been separated, which is fine, but the story doesn’t seem to be in much of a hurry to reunite them, and with only three issues left, that’s a lot of loose ends to tie up. One of my favorite comics in the bunch is the second cousin to the Avengers; Thunderbolts. The Thunderbolts have long been a team of supervillains varying between pretending to be heroes and actually being heroes. This iteration of the team consists of Luke Cage honestly trying to rehabilitate a bunch of prisoners. With teammates like Crossbones (the man who shot Steve Rogers) and the damn JUGGERNAUT, Cage constantly has to watch his back and try to keep the team under control. Some of the characters legitimately want redemption, but not all of them. The comic is heavily character-driven, with a ton of badassery to balance it out. All in all, it seems like Marvel’s Heroic Age is off to an impressive start. While there are still some opportunities for improvement, we’re only three and a half months into this new era of the Avengers. There’s plenty of time to grow and improve. For anyone who’s a newcomer to the comic scene, it must be truly exciting, as it has been a long time since we’ve seen “Earth’s Mightiest Heroes” doing what they do best....

Amazing Spider-Man Issue 639 “One Moment in Time, Part 2”

Amazing Spider-Man Issue 639 “One Moment in Time, Part 2”

Issue 638 of Amazing Spider-Man brought us the first part of Joe Quesada’s “One Moment in Time” story. We saw the events of that fateful day when Peter and Mary Jane’s marriage was erased from history. Now, in Issue 639, Quesada has the daunting task of making sense of the intervening twenty years of Spider-Man stories; the stories that old-school fans are upset about because the retcon rendered them worthless. Or did it? Issue 639 picks up the morning after the wedding. When Pete finally confronts MJ with the truth of the situation, she reaches her breaking point. She doesn’t mind being Spider-Man’s girlfriend, and definitely wants to be Peter Parker’s wife, but she has realized that she cannot and will not be Spider-Man’s wife. Through some introspection they realize that, despite not wanting to go through with the marriage, Pete and MJ still love each other and still want to be together. The whole decision comes off as a bit forced, but Quesada and Rivera deliver some genuine emotion to pull it together. Overall, it’s an acceptable solution to the problem, and likely the only way they could have incorporated the changes of “One More Day” while still maintaining the integrity of previous storylines. While I was expecting something a little more creative, I can’t be upset with something that makes sense. That said, the last couple pages threw the story into a completely unexpected direction. Part of Mephisto’s deal was Peter would have his old life back, secret identity and all. Though, if it’s now been established that everything previous to “One More Day” still happened, the events immediately preceding that story need to be explained. The most notable of these events are Peter revealing his identity and the shooting of Aunt May. It looks like we’ll have to wait to see how the unmasking is reversed, but the way they chose to keep Aunt May around just didn’t work for me. A lot of the tricks Quesada pulls in this issue seem like he’s taking the easy way out. After three years of buildup, I was simply expecting something more substantial out of “One Moment in Time.” However, while the writing may be a bit questionable, the story is still worth reading, and it’s important to make the distinction between the two in this case. Amazing Spider-Man Issue 639 “One Moment in Time, Part 2” Marvel Comics Story: Joe Quesada Art: Joe Quesada, Paolo Rivera, Danny Miki, Richard Isanove...

Superman Issue 702 “Grounded, Part 2”

Superman Issue 702 “Grounded, Part 2”

As I said in my review for Superman #701, despite all the larger controversy, I like the concept of J. Michael Straczynski’s “Grounded” arc. Having Superman connect with the normal people of America, helping them with normal problems and trying to make them better people as a result is a fun change of pace for the Man of Steel....

Superman Issue 701: “Grounded, Part 1”

Superman Issue 701: “Grounded, Part 1”

I’ve got two things to get out of the way before the actual review. First, I freaking LOVE that cover (by Astonishing X-Men artist and BDTU favorite, John Cassaday). When you walk into your comic shop and see that cover practically jumping off the shelf at you, you can’t help but pick it up. Second, and I’m apparently in the minority on this one, but I’m a fan of J. Michael Straczynski. I liked his work on the Spider-Man franchise. He introduced some interesting elements that I would have liked to see him explore further, but his hands were tied by larger events. He’s been widely criticized for his work on the controversial “One More Day” storyline, but most of the work there can’t even be attributed to JMS. His previous work aside, I was excited when they announced JMS would be taking over Superman. I’ve never like the Man of Steel all that much, so bringing in a writer known for his fresh, original ideas was a move I welcomed. We saw the prologue to Superman #701 in the big Issue; 700. After spending a year dealing with New Krypton, Superman was sorely missed on Earth. He wasn’t there when people needed him, or at least thought they needed him. He has grown out of touch with the people he’s supposed to protect. Which brings us to “Grounded.” Superman reaches the decision that he should no longer live above humanity, but rather alongside them. So, he starts walking. Not really going anywhere, just walking… there’s kind of a Forrest Gump thing going on here. The first issue finds Superman walking the streets of Philadelphia, in another departure for DC, as most of their locations are fictional. It’s an interesting way to reconnect Superman, not just with his fictional world, but with his readers as well. So, Superman’s on a walkabout, going around helping normal people with normal problems. He uses his X-Ray vision to help someone fix his truck, he cleans up a diner’s stockroom to pay for his lunch, and in a great bit of writing literally talks someone off a ledge. He’s helping real people with real problems, instead of punching invading aliens in the face. It’s a change I find very interesting, but many readers don’t. They feel Superman is being a smug jerk, ignoring larger problems in order to make himself feel better. As Superman himself says, “If there is [a crisis], I’ll deal with it and come back, pick up where I left off.” He’s not ignoring the rest of the world; there’s dozens of other heroes than can hold down the fort while he’s gone. If the world really does need Superman for something, he’s not gone, but he would rather spend his time actually helping people. As the issue goes on, Superman becomes philosophical. Why does the world need a Superman? People have become so dependent on his help, and that of other heroes, that they’ve forgotten how to help themselves. That’s the true purpose of his walk. He wants to create a world that doesn’t need a hero, because each citizen is a hero in their own right. It’s a thought-provoking parallel to our own society. Instead of wondering why others aren’t helping, look within and ask what we’re doing to make the world a better place. True, it may get a bit preachy at times, especially when Superman starts quoting Henry David Thoreau, but aren’t superheroes – these larger-than-life characters supposed to be an inspiration to the rest of us? This is the first time, possibly ever, that I’ve been looking forward to an issue of Superman. I can’t wait to see how the story evolves in Issue 702. Superman Issue 701: “Grounded, Part 1” DC Comics Story: J. Michael Straczynski Art: Eddy Barrows (Pencils) & J.P. Mayer (Inks)...

Episode 004: The Sidekick Issue

Episode 004: The Sidekick Issue

This week, Vince decides to give his trusty sidekick, Roger, the attention he deserves. Discussions include The New Mutants and Dragon Age....

Amazing Spider-Man Issue 638 “One Moment in Time, Part 1”

Amazing Spider-Man Issue 638 “One Moment in Time, Part 1”

This is a story I’ve been looking forward to for quite a while. Three years, and almost 100 issues ago, Peter and Mary Jane Parker sacrificed their marriage to the interdimensional, trickster-demon Mephisto in exchange for saving Aunt May’s life. This was a huge shake-up to the Spider-Man lore and was not received well by the fans. While I personally enjoyed the plot twist, it did leave some question marks over the past twenty-odd years of Spider-Man comics. So, just a few short months before the “Brand New Day” era of Amazing Spider-Man comes to a close, Marvel’s Editor-in-Chief, and mastermind of the original “One More Day” storyline, Joe Quesada is bringing us “One Moment in Time.” The first issue of “One Moment in Time” brings us back to the day Peter and Mary Jane were supposed to be married. Mary Jane shows up at Peter’s apartment with a bottle of wine to talk about that fateful day in the past. In a very interesting publication twist, actual panels from the Amazing Spider-Man Annual #21 wedding issue are included, but with small changes detailing Mephisto’s influence on the timeline. So, the issue has an interesting style, artistically. You have Quesada’s art for the “present day” scenes, the original 1987 art of Paul Ryan and Paolo Rivera’s art depicting the changes in the flashbacks. While it takes a little getting used to, it creates a very interesting effect. Many fans, even those who read the Annual back in ‘87, don’t remember the severe doubt both Peter and Mary Jane were having at the time. Mephisto didn’t come in with his giant, demonic paintbrush and alter everything. No, he made some small influences on some minor players to nudge things in a direction they could have easily gone in the first place. The end result of this concept is a solid, unexpectedly emotional story. Amazing Spider-Man has been the most consistently good book on the shelves for the past 3 years, and Issue 638 lives up to the standard. Fans may still be pissed at the changes to Spidey’s backstory, but if the next 3 issues can continue the trend set by this one, maybe they’ll quiet down a bit. Amazing Spider-Man Issue 638 “One Moment in Time, Part 1” Marvel Comics Story: Joe Quesada Art: Joe Quesada, Paolo Rivera, Danny Miki, Richard Isanove...

Episode 003: No Super Animals, Please

Episode 003: No Super Animals, Please

This week, Vince and Roger cover two major stories in Marvel; Shadowland and The Thanos Imperative....

Episode 002: More Nightwing

Episode 002: More Nightwing

This week, Vince and Roger discuss a wealth of comics, including Wonder Woman 601, several X-Men titles and the final Wolverine: Origins issue....

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