Guide to Marvel Cosmic, Part 2: The Story

Guide to Marvel Cosmic, Part 2: The Story

With the completion of The Thanos Imperative, Marvel brought an end to several years of epic storytelling in their Marvel Cosmic line of comics. Envisioned and given life by Marvel heavyweights like Stan Lee, Jack Kirby, Jim Shooter and Jim Starlin, the Marvel Cosmic setting reached its height of popularity in the 70s and 80s. While the characters would continue their grand adventures over the years, the setting wouldn’t see major success again until it was revitalised in 2005’s “Annihilation” event. Since then, the Cosmic comics have been delivering some of Marvel’s best writing and its most consistently high-quality stories. For the last few years, and especially since the start of The Thanos Imperative, I’ve been recommending these comics to everyone. However, due to the relative obscurity of many of these characters as opposed to Spider-Man or Captain America, it’s hard for many to get into these stories. So, I present to you my Guide to Marvel Cosmic, this time detailing the Story. Of course, there will be spoilers here. My goal is to give readers a general understanding of past events, so if they find a particular story interesting, they have some knowledge going in. I also believe that having a general understanding of the events of a storyline won’t negatively affect your enjoyment of the writing, artwork and smaller details. Annihilation The primary writer for the “Annihilation” event was Keith Giffen. While he has experience with cosmic stories from his work on Legion of Super-Heroes, Giffen hasn’t been known for serious stories. Still, he pulled together an absolutely epic event that nobody saw coming and the quality was astounding. “Annihilation” was released as a prologue issue, a collection of miniseries focusing on the characters of Nova, Silver Surfer, Ronan the Accuser and the Super-Skrull, then finally the Annihilation miniseries itself. Annihilation: Prologue focuses on the events of “Annihilation Day” where the forces of the Annihilation Wave pour out of the Negative Zone and destroy the Kyln power generators and prisons as well as the entire Nova Corps, cutting off the galaxy’s best defenses immediately. The leader of the Annihilation Wave is revealed to be none other than Annihilus. In the Annihilation: Nova miniseries, Nova has to deal with being the last member of the Corps. He bonds with the Worldmind, gaining the collective knowledge and power of the entire Nova Corps. He helps Quasar and Drax evacuate the residents of a planet about to be hit by the Annihilation Wave before attacking Annihilus himself, a battle that would end with the death of Quasar. Annihilus would go after Galactus and his Heralds in Annihilation: Silver Surfer, pushing the Surfer to once again ally himself with the World Eater. Ronan would be accused of treason in Annihilation: Ronan, meeting Gamora while on the run, while Super-Skrull would sacrifice himself to stop a planet-destroying weapon in Annihilation: Super-Skrull. The various minis leading up to Annihilation aren’t central to the plot, but they set everything up and introduce the characters, moving all the pieces where they need to be. Of course, there’s some great stories to read in there, too. Annihilation tells the story of Nova and his allies fighting against Annihilus, now allied with Thanos, as if one massive threat weren’t enough. Annihilus has decided to invade the “normal” universe since its never-ending expansion is starting to encroach on his territory in the Negative Zone. He believes this gives him the right to claim our dimension as his own. Thanos, seeing the destruction wrought by the Annihilation Wave, sees this as an excellent opportunity to please Death. Thanos takes down Galactus and the Silver Surfer, enabling Annihilus to steal their Power Cosmic. Drax manages to accomplish the purpose he was created for by killing Thanos and freeing Galactus, who destroys a majority of the Annihilation Wave forces in retaliation. Ronan frees the Kree homeworld from Annihilus’ control, and is chosen their new leader. With his forces diminished and his footholds in the galaxy slipping, Annihilus is the last target to be taken down. Nova, Star Lord and Phyla-Vell lead the charge. Phyla claims Quasar’s Quantum Bands from Annihilus, becoming the new Quasar and weakening the beast enough for Nova to finish him off. Though it’s a term thrown around quite a bit these days, “Annihilation” was nothing short of epic. Huge battles, worlds in danger, cosmic power; it had it all. “Annihilation” was so successful, Marvel would start a new, ongoing Nova series, as well as a follow-up event. Annihilation: Conquest “Conquest” in 2007 would be the beginning of Dan Abnett and Andy Lanning’s reign over Marvel Cosmic. After writing the Annihilation: Nova mini, as well as the Nova ongoing, the duo known as “DnA” would mastermind the entire line for years to come. Again, the event would be published as a series of lead-ups, ending with the main miniseries. Annihilation: Conquest: Prologue again set everything up, as well as leading the way in colon usage. The Kree Empire, still rebuilding after the Annihilation Wave, would come under attack once again. Its robotic sentries came under the control of a mysterious force, attacking the Kree. All of Kree space was cut off, leaving the Phalanx, a conquering race of sentient robots, to take control. A tie-in with Nova would see the titular hero attempt to break through the shield surrounding Kree space, only to be flung across the galaxy. He fought a Phalanx-infected Gamora and Drax, becoming infected himself. All three would be cured and break through the shield in time to save their allies. Annihilation: Conquest: Star Lord focuses on Peter quill and his resistance to the Phalanx on the Kree homeworld. This miniseries would bring Star Lord together with future Guardians of the Galaxy Rocket Raccoon, Groot, Bug and Mantis. Phyla-Vell would come to terms with her new role in Annihilation: Conquest: Quasar, finding the man who could be the Kree’s only hope: Adam Warlock. Annihilation: Conquest: Wraith introduced a new character to the cast. The man known simply as Wraith, the son of a Kree outcast. He returned to Kree space to get revenge for the death of his parents, but proved to be a powerful ally against the Phalanx. Again, all the pieces were now in place for the main event. Before long, the driving force behind the Phalanx would be revealed as the long-time Avengers villain, Ultron. As usual, the insane robot wanted to wipe out all organic life. Ultron would capture Adam Warlock and transfer his essence into the “perfect being,” granting him unimaginable power. With Star Lord and his team backed into a corner, Nova would arrive just in time to save the day. While freeing himself of Phalanx control, Nova came across the Technarchy, another cybernetic race, among them the X-Men ally Warlock (not to be confused with Adam Warlock). The Technarchy were the ones responsible for creating the Phalanx, but with the Technarchy on their side, Nova, Star Lord and the rest of the heroes quickly turned the tide. Phyla-Vell and the returned Adam Warlock would deal the final blow to Ultron, with an assist from Wraith. While not necessarily as epic as “Annihilation,” “Conquest” was more character focused. This attention to their large and varied cast would be the signature of DnA’s stories for the next several years. Many of the characters featured in “Conquest” would band together for another new ongoing series, Guardians of the Galaxy. War of Kings 2009’s “War of Kings” would be DnA’s most expansive epic. It would feature a multitude of miniseries, one-shots, as well as taking up quite a few issues of Nova and Guardians of the Galaxy. Interestingly enough, the events leading up to “War of Kings” wouldn’t even happen in the Cosmic comics. Instead, they would be stories branching out from the “Secret Invasion” event and the X-Men titles. The “War of Kings” was the power struggle between the rulers of the two largest galactic empires, the Kree and the Shi’ar. After the Secret Invasion, the Inhumans, a race of early humans genetically modified by the Kree, returned to their makers. The Kree were in no position to put up a fight, so Black Bolt, Medusa and the rest of the Inhuman royal family assumed control of the Kree Empire. Meanwhile, Vulcan, Gabriel Summers, had just staged a coup of his own, becoming new emperor of the Shi’ar, though his brother, Havok, was still leading the resistance against him. In order to solidify their rule, Black Bolt and Medusa promised their daughter as a bride to the former Kree leader, Ronan the Accuser. On the day of their wedding, Vulcan would send the Shi’ar Imperial Guard to attack, kidnapping Lilandra Neremani, rightful heir to the Shi’ar throne and guest at the ceremony. The Inhumans swore revenge on Vulcan and the war was on. Gladiator, the leader of the Imperial Guard would abandon his duty to help Lilanrda, though Lilandra would not survive. Meanwhile, Black Bolt and Vulcan were both killed in a massive explosion. Medusa would take her husband’s place on the Kree throne, while Gladiator would ascend to lead the Shi’ar. Wishing to end hostilities, Gladiator swore loyalty to Medusa, officially making the Inhumans the most influential political power in the galaxy. While “War of Kings” is a decent enough story on its own, it really serves as more of a setup for things to come, with the events of many of the tie-ins having little to do with the main plotline. Nova would face his own issues rebuilding the Nova Corps, trying to maintain peace in the war-torn galaxy. The Guardians would be warned of a forthcoming disaster and Wendell Vaughn would be reborn, returning to his role as Quasar since Phyla-Vell had moved on to another calling. “War of Kings” would see a small followup in the form of “Realm of Kings.” This mini-event would solidify the arrangements between the Kree and Shi’ar, as well as bring an end to the Nova and Guardians of the Galaxy series. The Guardians would have the biggest plot developments here, as they explored the rift created by the explosion that killed Black Bolt and Vulcan. They would discover that the rift led to a parallel dimension where Death no longer existed. Without Death, Life has grown wild, expanding like a cancer, ready to spill over into our universe; this dimension was dubbed the “Cancerverse.” Meanwhile, Phyla-Vell would meet her end at the hands of the reborn Thanos. The Thanos Imperative Perhaps because of the vastness of “War of Kings” or just in an effort to tell a better, more controlled story, The Thanos Imperative was told in only a single miniseries with a one-issue prologue and epilogue. As established in “Realm of Kings,” the Cancerverse, populated by twisted versions of our universe’s heroes, is ready to expand into our realm. Since Death does not exist in the Cancerverse, the Avatar of Death, Thanos, may be the Guardians only hope at defeating Lord Mar-Vell and his Revengers. An uneasy alliance is formed between Thanos and the Guardians; Drax is particularly hesitant. Meanwhile, all-out war has erupted at The Fault, with every warship in the galaxy engaging the forces of the Cancerverse. The Kree, Shi’ar and others are fighting a losing battle before the Silver Surfer, Galactus and the god-like Celestials show up to fight for the survival of their universe. The Cancerverse escalates the hostilities, calling in a massive war machine constructed from their version of Galactus, once again swinging the momentum in their favor. Realizing that the war can’t be won from this side of The Fault, Nova proposes a strike team consisting of the six most powerful warriors in the galaxy; Quasar, Ronan, Gladiator, Beta Ray Bill, Silver Surfer and himself. As they lead the assault, Thanos and Star Lord continue their mission to bring Death back to the Cancerverse, though Drax loses his composure, leading to his death. Nova’s assault would be minimally effective, only serving to put Thanos and Lord Mar-Vell on a collision course. When the dust settled, Death was restored to the Cancerverse, Lord Mar-Vell was defeated and Thanos was trapped in a collapsing universe with Nova and Star Lord. In the end The Thanos Imperative was a fitting conclusion to DnA’s efforts with Marvel Cosmic. It had all the epicness of “Annihilation” with the character development and writing of “Conquest” topped off with the universal impact of “War of Kings.” But is it the actual end of Marvel Cosmic? DnA may be giving Heroes for Hire the Guardians of the Galaxy treatment, but they may not be done with the characters they’ve dedicated the last several years to. Marvel’s new miniseries, Annihilators, tells the story of Quasar, Ronan, Beta Ray Bill, Silver Surfer and Gladiator as they play the role of “Cosmic Avengers,” safeguarding a galaxy that finds itself truly defenseless. I hope this guide has been informative, but I hope even more that it has generated some interest in these lesser-known and underappreciated comics. Get out there and read!...

Comic of the Week (3/23/11) – New Mutants #23

Comic of the Week (3/23/11) – New Mutants #23

New Mutants #23 is the fourth chapter of the “Age of X” miniseries running between this title and X-Men Legacy. Mike Carey has created an alternate (or is it?) reality where the X-Men never existed and humanity has driven mutants to near extinction. The remaining mutants band together behind Magneto to defend themselves. However, cracks are starting to show in Fortress X, and not just physically; something is seriously wrong here. This issue follows Legacy (Rogue), Gambit and Magneto as the attempt to uncover the mystery with the help of Kitty Pryde and a comatose Charles Xavier. In a comic franchise where alternate realities are a regular event, “Age of X” has set itself up as something different; something that will matter. New Mutants #23 Marvel Comics Story: Mike Carey Art: Steve Kurth...

Comic of the Week (3/16/11) – Grab Bag #2

Comic of the Week (3/16/11) – Grab Bag #2

It’s another “Grab Bag” week, this time focusing on SIX comics that I recommend for anyone looking for something new to read: Xombi #1 by John Rozum & Frazer Irving, Morning Glories #8 by Nick Spencer & Joe Eisma, 5 Ronin #3 by Peter Milligan & Laurence Campbell, Amazing Spider-Man #656 by Dan Slott & Marcos Martin, Avengers Academy #11 by Christos Gage & Tom Raney and Hulk #30.1 by Jeff Parker & Gabriel Hardman....

Comic of the Week (3/2/11) – 5 Ronin #1

Comic of the Week (3/2/11) – 5 Ronin #1

5 Ronin is a miniseries where five of Marvel’s most dangerous heroes (Wolverine, Hulk, Punisher, Psylocke and Deadpool) have been re-imagined as part of an epic samurai story. The first issue focuses on Wolverine, who now wanders the countryside as a ronin, a masterless samurai. What follows is a bloody tale of honor and revenge. Mind you, this is not Weapon X Wolverine transplanted 400 years in the past, instead it is a familiar character we all know, without the crazy backstory and powers. The art is very stylish, fitting for the setting, with a great use of color. Fans of the old samurai films will definitely want to check this out. 5 Ronin #1 Marvel Comics Story: Peter Milligan Art: Tomm Coker...

Comic of the Week (2/23/11) – Fantastic Four #588

Comic of the Week (2/23/11) – Fantastic Four #588

If you haven’t read Issue 587 yet, there’s some serious spoilers here. This issue picks up directly where the previous one left off, with one of the Fantastic Four dead. This issue focuses on how the rest of the family deals with the loss, as well as setting the story on the oath to the future. The “Three” storyline opened a lot of doors, and the remainder of the Four are going to have their hands full closing them. Most impressively, this great story is told without a single line of dialog. Nick Dragotta, a relative unknown, steps in and delivers some of the best pencils I’ve ever seen. Emotional, groundbreaking and impactful, Fantastic Four #588 will definitely be a serious contender for best issue of the year. Fantastic Four #588 Marvel Comics Story: Jonathan Hickman Art: Nick Dragotta (Backup by Mark Brooks)...

Comic of the Week (2/16/11) – Avengers Academy #9

Comic of the Week (2/16/11) – Avengers Academy #9

Avengers Academy follows the next generation of super heroes (or villains?) under the instruction of Hank Pym and a staff of Avengers All-Stars. In the previous issue, some of the students assaulted villain the Hood, in an attempt to gain revenge for one of their instructors, Tigra. Tigra is not pleased with their actions and kicks them out of the Academy. Meanwhile, student Finesse uses this opportunity to track down the man she believes to be her father, one of the Avengers’ greatest enemies, the Taskmaster. Avengers Academy #9 Marvel Comics Story: Christos Gage Art: Mike McKone...

Comic of the Week (2/9/11) – X-Factor #215

Comic of the Week (2/9/11) – X-Factor #215

In this issue of X-Factor, Peter David manages to tell a self-contained, single-issue story, while still advancing the overall plot of the series. X-Factor Investigations is hired to investigate a murder possibly involving vampires. Things quickly become even stranger, and it’s only through a combination of quick thinking and Layla Miller’s ability to “know stuff” that sees them through to the end. Meanwhile, revelations abound involving Layla’s abilities and attitude, as well as Madrox’s possible feelings toward her. X-Factor #215 Marvel Comics Story: Peter David Art: Valentine de Landro...

Comic of the Week (2/4/11) – Grab Bag #1

Comic of the Week (2/4/11) – Grab Bag #1

This week, it was difficult to pick a single comic of the week. Several good comics, but nothing GREAT. So, I’ve selected a “Grab Bag” of three really good ones this week: Invincible Iron Man #500.1 by Matt Fraction and Salvador LaRocca, Secret Six #30 by Gail Simone and Jim Calafiore and Ultimate Thor #4 by Jonathan Hickman and Carlos Pacheco....

Captain America Issue 611: “The Trial of Captain America, Part 1”

Captain America Issue 611: “The Trial of Captain America, Part 1”

During the previous story arc, Baron Zemo, a longtime Captain America villain, revealed to the world that the new Captain America was none other than Bucky Barnes, Steve Rogers’s long-thought-dead sidekick and the former Soviet assassin known as the Winter Soldier. Obviously, the public did not take this news well and a media storm is brewing around Bucky, Steve and the other Avengers. The issue begins with an assembly of Avengers trying to decide the best course of action, before Steve takes his arguments to the President. Neither group knows just how to approach the situation. On one hand, Bucky had no control over his actions; he didn’t even know who he was. On the other, he’s still responsible for the deaths of Americans. Many of the Avengers at the meeting know better than anyone else that a person deserves a second chance, but times have changed. Bucky knows what has to be done and makes the right decision; he turns himself in. This is why Ed Brubaker is one of Marvel’s best writers right now. He continues to come up with new and interesting ways to use his characters. Not every obstacle can be overcome by punching it in the face, and Brubaker writes real-world dialog better than anyone else in the industry. The story is well-paced and sets up the rest of the story arc; it draws on the last several years of Captain America stories while still being accessible to new readers. The art, unfortunately, isn’t quite up to par. Captain America has featured several artists over the past couple years, and this is the first issue penciled by Acuña. The entire issue just lacks detail; faces have minimal expression, some characters are just vague outlines instead of being fully-drawn and it’s hard to tell what’s even going on in Bucky’s fight scene. The art isn’t bad, but only because there’s not enough of it to even be considered “bad.” It’s just incomplete and very disappointing. That said, I still loved every page of this comic. Brubaker’s work on Captain America has been leading to this point for years, and we’re about to get the payoff. I can’t wait to read the rest of this story. Captain America Issue 611: “The Trial of Captain America, Part 1” Marvel Comics Story: Ed Brubaker Art: Daniel Acuña...

Chaos War Issue 2 of 5

Chaos War Issue 2 of 5

Okay, first of all, what he hell is up with that cover? Every character looks like crap; it’s definitely not something that would entice me to pick this comic up off the shelf. Just… no. I’m actually going to stay on the art, as it’s been an ongoing point of discussion with this series. It’s apparent that Khoi Pham spent more time and effort on the first issue than here. While issue 1 had some impressive visuals with only a few awkward panels, every character here seems off, with too many lines where they’re not needed. There are still some high points, but overall, it just doesn’t look right most of the time. The heavy-handed light and shadow effects only make it worse. Maybe I had rose-tinted glasses on with the first issue, but Chaos War 2 just looks worse to me. The story is more of the same; cosmic and divine entities are waging war on all existence. Hercules’s big assault at the end of the first issue failed miserably, leaving all of Earth’s mortal heroes down for the count. The issue mostly revolves around Hercules building up a force that can withstand the Chaos King, a new incarnation of the God Squad. Thor and Venus are already at his side and he quickly adds Sersi (from The Eternals), as well as Galactus and the Silver Surfer to his ranks. It also seems you simply can’t tell a story these days without Daimon Hellstrom making an appearance. The team works, and each character actually has their own motivations for fighting at Herc’s side; the table is set for big action in the next few issues. A side story in this issue focuses on the chaos King attacking the various realms of the dead, and fallen heroes being called forth to fight back. It’s actually a solid setup for the various Chaos War tie-ins; X-Men, Dead Avengers and Alpha Flight. Besides, any time Ares is leading the charge to battle, your comic grows in awesomeness. The whole story is told in the usual straight-forward, Incredible Hercules style. The dialog isn’t very deep, but it keeps the pace up, constantly driving the story forward. In an odd twist, there isn’t even much humor to be found here; it fits the story, but there’s definitely more Pak here than Van Lente. Chaos War may not be the greatest miniseries I’ve ever read, but I’m still enjoying it. The art’s making it difficult, and while the quality of the writing may not be on par with the likes of Shadowland, the content is solid. It’s big and fun and, when the story and art click into place, I can still see the potential here. Chaos War Issue 2 of 5 Marvel Comics Story: Greg Pak, Fred Van Lente Art: Khoi Pham, Tom Palmer...

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